Once there was a man who wrote in code. He was comfortable among substitutions. He never spoke about work. He never spoke about other-than-work. One day he was killed. He was stuffed into a duffel bag and left in a bathtub. Some weeks later he was found by mistake. Soon a story surfaced about a man who thought in code. It said he was comfortable among substitutions. He never spoke to anyone about work. He never spoke to anyone about other-than-work. One day he was killed. His body was stuffed into a duffel bag and left in a bathtub. Some weeks later he was found by mistake. Once there was a man who worked in code. He was comfortable among substitutions. He never spoke about work. He never spoke about other-than-work. One day he was killed. He was stuffed into a duffel bag and left in a bathtub. Some weeks later he was found by mistake. Soon a story surfaced about a man who thought in code. It said he was comfortable among substitutions. He never spoke to anyone about work. He never spoke to anyone about other-than-work. One day he was killed. His body was stuffed into a duffel bag and left in a bathtub. Some weeks later he was found by mistake. Once there was a man who wrote in code. He was comfortable among substitutions.

I first saw this at another site where one of your comments got me to thinking about how differently this would read if performance notes/direction were included. That might bump you up against the word limit, but it might also allow for a form of compression. What i means is that it might be possible to give the function f(x) rather than going through all the values of f(x). It would be a different read.
I am curious about how it would sound when sung.
i know…i think this should be read as a round. i’m going to try it in a couple weeks at an open mic thing. i did one before-i’m trying to figure out the performance thing.
and i think i like the giant page of this better than the smaller page of it. but it’s fine. you can get the same effect by just continuing around the corner and heading back to the start.
yes! great structure, entrancing like another piece of yours i found on fictionaut. very musical indeed, love it.
This spoken, yes. Several voices. You could start it as a solo, then add voices, then drop them, and end solo.
Can you tell I sing?
Great premise, very well executed. peace…
I like the idea of this as audio. You could record it and post the audio on your blog for a different experience. :)
Forgot to mention, there’s an audio theme on Sundays on Twitter called #SpokenSunday. If you tweet the hashtag #SpokenSunday with the link, you might get some more listeners for your piece.
I liked this. :)
§%/”=”%(§§ :))
enjoyed.
thanks. i’m pleased you like the piece. and i’m quite looking forward to making it into a round. which i think i’ll record and figure out a way to make available (if it comes out as a technically ok recording) we’ll see.
I like this, and the idea of doing it as a round/performance – write, think, work, write….the variations fading in and out
Pingback: Week #18 – Lucky Number « 52|250 A Year of Flash